Azadeh Ensemble Presents Music of Iran
The Azadeh Ensemble with guest artist Negar Booban, (standing left).
The Azadeh Ensemble consists of Sahba Motallebi, Laya Etemadi, Sahba Motallebi and Bahareh Moghtadaei.
I had an assignment to photograph a group of wonderful women musicians from Iran last week.
After shooting some pictures during their sound check I made some portraits of them. After a break they went onstage at Town Hall and I photographed them in performance.
The Azadeh Ensemble consists of four outstanding virtuoso Iranian women musicians who formed in summer, 2009 in response to the political events in Iran, and the prominent role women have played within it, in their Northwest debut on Friday. In Farsi, the language of Iran, Azadeh means liberated. Azadeh Ensemble is one of the few all-female ensembles playing classical Persian music. Their exciting interpretations combine centuries of musical history with modern concerns of individual freedoms and the female voice.
Their vivid repertoire draws from classical Persian music, speaking especially to the concerns of individual freedoms and the female voice. As a women’s group, the Azadeh Ensemble is truly a rarity in Persian music, bringing these traditional forms into a dynamic contemporary context. Heading the ensemble, all of whom were born and trained in Iran but now live in the US, is the remarkable tar (a lutelike instrument) player Sahba Motallebi celebrated for the vigor and clarity of her playing on this stringed instrument, joined by the gifted vocalist Sepideh Raissadat, virtuoso kamanche (a Persian fiddle) and viola player Laya Etemadi, and Bahareh Moghtadaei on the tombak (drum). In the secod portion of their performance they were joined by joined by guest artist Negar Booban, of the Teharan Conservatory of Music, on the oud.
Not being familiar with Persian music it was enchanting and exotic: it was delightful and uplifting and also spiritful. At times I heard strains of the some traditional American blues and at other time their music brought to mind some old Irish folk tunes between the strings and drums. But most of the time it was as graceful and transporting as it was unfamiliar.Knowing their story and how they came to play together was inspiring. It is hard to believe that they can never play in thier home country together like this. I feel sorrow for them and even more for their fellow countrymen. I hope one day they may go and perform such as concert in their homeland.
As Motallebi said before a recent performance, “”[We] will be there as Persian women musicians who suffered a lot for the art and music in Iran. We have so many things to say and feelings to share for our women who want freedom … Our concert will be dedicated to [them].”
Read more about them: Pittsburgh Post Gazette
All photographs on this website are Daniel Sheehan © 2010. All Rights Reserved. Please inquire for permission to use.
Photographs by Seattle photographer Daniel Sheehan who covers music performances, and creates portrait photography for publication and a Seattle Wedding Photographer at A Beautiful Day Photography, wedding photographers with an artistic photojournalist style
