I took out our border collies, Charlie and Luna for a run and ball toss and it was cold. Temperature was 32F and there was frost everywhere. Almost fell down after slipping on some black ice in the parking lot.
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MOLLY, HARPER AND ALICE
I made a portrait of Mo;y and Alice when Molly when she was 9 months pregnant on a Sunday and then the next Tuesday the Harper came arrived into the world. Now that she just turned 2. I got to photograph them all again. Harper loves playing “Where’s the baby” with me. What a sweet child.
Olympics Across the Puget Sound
I was out at the Seattle Art Museum’s Olympic Sculpture Park over the weekend. I love the view of the Olympics across the Puget Sound in winter with lots of snow covering the tops and interesting cloud formations.
All photographs on this website are by Seattle photographer Daniel Sheehan © 2012. All Rights Reserved. Please inquire for permission before using.
Portrait of George & Dianne Carofino
Another recent assignment this time to photograph George Carofino and his wife Dianne. We were fortunate to have a beautiful sunny day so we headed out to the beach at Carkeek Park. It turned out to be very clear so we got the Olympic Mountains to show up behind them. Also made a few images of their son Brad and his family on the beach
Portrait of a Banker
I had a recent assignment to photograph Dean Bennion, an executive at the Wells Fargo Bank. I love the low intensity of the light over Puget Sound. The bay can be seen out his office window with the Olympic Mountains off hidden in the clouds. In Fact there was rain over most of the horizon. The sky was a mass of clouds. Except for off in the souther end of the Olympics, the sun was trying to get through under the clouds. What a great view from above 40 floors over Elliot Bay.
Election Night 2011 – Tim Burgess Wins 2nd Term in Seattle City Council
Above is Seattle City Councilman Tim Burgess being interviewed by a local TV station on Yesler Way Tuesday night, outside City Councilwoman Sally Clark‘s election party at Merchant’s Cafe. Burgess was commenting on his re- election victory and the passing with a strong margin of the Families and Education Levy which he supported. I had an excellent time yesterday on election night, following around Seattle City councilman Tim Burgess who cruised to victory in his re-election to another 4 year term. The first results were announced around 8:15PM. They indicated he had the lead with 81% of the votes over opponent David Schraer.
Earlier in the evening, Seattle Mayor Mike McGinn, Tim Burgess and other Seattle officials supporting the Families and Education Levy, gathered at Elysian Fields. Since there was not a dedicated TV broadcast concerning the election results the had to and search on their smartphones for the first word on the first results of the election being announced which was supposed to be at 8:15PM. Members of the media were assembled in the restaurant waiting to hear their reaction to the results.
Wessell “Warm Daddy” Anderson
At Tula’s on Monday Earshot Jazz Festival 2011 presented a special jazz lesson from soulful, searing alto saxophonist Wessell “Warm Daddy” Anderson, with Phill Sparks on bass, Bill Anschell, piano and D’Vonne Lewis, drums.
Check out the Earshot Jazz Festival Schedule to see what’s next in the 2011 Festival lineup.
A former member of the Wynton Marsalis Septet and charter member of the Lincoln Center Jazz Orchestra, alto saxophonist Wessell “Warmdaddy” Anderson blends traditional jazz, some bebop and swinging sounds in a blues-inflected style that has drawn flattering comparisons to Cannonball Adderley. For over a decade and a half, he was part of Marsalis’ efforts at Jazz at Lincoln Center, but he left in 2006 to join the jazz faculty at Michigan State University.
“Always one of the most popular members of Jazz at Lincoln Center, many fans of the venerable institution were saddened to hear about Anderson’s stroke in 2007. Following the stroke, much of the left side of his body was numb, and many speculated as to whether he would play again. Musicians who knew Anderson well, however, were not surprised when he returned triumphantly to the bandstand after just a few months.”
“is 2010 return to a New York stage at Dizzy’s Club Coca-Cola was applauded by fans and critics alike. Nate Chinen, reviewing the outing in the New York Times, wrote: “And how did he sound? Excellent, unchanged. His mellow, sweet-tart tone was a physical presence, and he gave it plenty of air, often holding a note for a long stretch, then taking a breath and modulating to another one … In his alto style, there’s no chasm between the chivalrous croon of Johnny Hodges and the roguish charisma of Charlie Parker.”
“Born into a musical family in Brooklyn, Anderson played piano from an early age, starting to study classical music when he was 12. However, two years later he switched genres and instruments. His father, a drummer, had worked with Cecil Payne and directed his son towards jazz. Hearing records by Charlie Parker prompted the shift from piano to alto saxophone. Anderson studied with various teachers, including several he met through the Jazzmobile workshops.
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“In 1983, he was heard by Branford Marsalis, who urged him to pursue his studies, this time under Alvin Batiste. Five years later, Anderson joined Wynton Marsalis’ band, touring internationally, with the corresponding gain in reputation and audience awareness that this brought about. Anderson, who also plays soprano and sopranino saxophones, has also worked with Betty Carter, Ted Nash, Marc Cary, Victor Goines and many others. For this concert, he is joined by Seattle’s top sidemen.”
by Danielle Bias from the Earshot Jazz Festival Schedule program
2011 Earshot Jazz Festival Underway | The Campbell Brothers
Once again I have been covering the annual Earshot Jazz Festival which presented The Campbell Brothers at the Triple Door last night. Pedal-steel guitar ace Chuck Campbell, his lap-steel playing brother Darick, and their sizzling band deliver devoutly rocking Holiness-Pentecostal repertoire with growling, wailing, swinging steel. The group includes another Campbell brother, Phil (electric guitar) and his son Carlton (drums), as well as Katie Jackson’s soul-curing vocals. Phil mentioned that the band that played late into the Saturday night at a honky tonk downtown, had the same musicians showing up in church Sunday morning to play the gospel music with the service. Its all sacred music to them. See who will be playing this week in upcoming concerts in the Earshot Jazz Festival Schedule.
The Campbell Brothers’ Sacred Steel is African-American gospel music with electric steel guitar and vocal. This tradition emerged from the House of God Keith Dominion Church, headquartered in Nashville, where for over sixty years it has been an integral part of worship and a vital, if little known, American tradition. As the music moves from sanctuary to concert hall – including the Hollywood Bowl, the Kennedy Center, Brooklyn Academy of Music and Symphony Space – secular audiences are now able to appreciate a performance both devout and rocking. Pedal steel guitarist Chuck Campbell and his lap steel-playing brother Darick are two of the finest in this tradition. Rounding out the band, which has been playing together for nearly two decades, is a high-energy rhythm section featuring brother Phil Campbell on electric guitar and his son Carlton on drums. Katie Jackson’s classic, gutsy gospel vocals bring the ensemble to a level of energy and expression that defies description. The Campbell Brothers present a compelling, rich variety of material from the African-American Pentecostal repertoire with a new twist: the g
rowling, wailing, shouting, singing and swinging voice of the steel guitar, played as you have never heard it played before.
Chuck Campbell began playing the lap steel guitar at the age of 12. At the age of 17, he became one of the first players to utilize the pedal steel guitar in the House of God Church, Keith Dominion. Campbell is renowned for his innovative approach to the instrument both technically and musically. His use of effects such as distortion and wah pedal and his picking techniques enable him to emulate the human voice in an uncanny fashion, which evokes images of gospel moaning and field singing. His inventive blending of many styles, along with his groundbreaking use of complex chords and fast picking, formed the musical style which is the most emulated among young sacred steel players today.
Darick Campbell first made his mark in music as a drummer. For several years, he was the premier drummer of the General Assembly, the National Convocation of the House of God Church, in Nashville, Tennessee. His choice of the lap steel is a reflection of the influences he has blended to become the most emotional player of the Campbell Brothers’ musical tour d’ force.
Phillip Campbell began life as a drummer but quickly proceeded to the instrument which is arguably his most accomplished, the bass guitar. It was on the bass that he began to explore the many genres which form his eclectic musical personality. Phil combines the rhythmic attributes of the guitar with MIDI guitar synthesis to bring a unique stylistic blend.
Drummer Carl Campbell is the heartbeat of the Campbell Brothers. Carl and dad, Phil, form the rhythmic foundation upon which the Campbell Brothers soulful gospel is built. Formally trained in jazz percussion, Carl has been able to assimilate the classic rudiments of drumming with his improvisational upbringing in church to formulate a style which always finds itself in the groove.
The fact that Katie Jackson is a part of the Campbell Brothers is the result of unbelievably good fortune. She just happened to be “available” when the Campbell Brothers asked her to be the vocalist on their critically acclaimed Pass Me Not disc. Indeed Katie Jackson has shared the stage with some of gospel’s most famous singers, including Mahalia Jackson (no relation) and is well renowned throughout the eastern United States for performances she has given in numerous venues.
– Danielle Bias from the Earshot Jazz Festival Schedule.
Snoqualmie Falls From Salish Lodge
On Saturday I was covering an event at Salish Lodge and was struck by the view from the room looking out over the falls. What a beautiful spot. It was late afternoon and the sun was getting ready to set but was still spotlighting the hillside above the fall. The falls were going strong with a great volume of water going down. The Salish Lodge is a very inviting place with a great restaurant an I intend to return someday when not covering an event.